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Twin Peaks

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Author Topic: Twin Peaks  (Read 10377 times)
Jami Ferrina
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« Reply #75 on: November 12, 2007, 01:57:47 am »


As with much of Lynch's other work (notably Blue Velvet), Twin Peaks explores the gulf between the veneer of small-town respectability and the seedier layers of life beneath it. Each character from the town leads a double life. The show further resembles Lynch's previous and subsequent work, in that it is difficult to place in a defined genre: stylistically, the program borrows the unsettling tone and supernatural premises of horror films, and simultaneously offers a bizarrely comical parody of American soap operas with a campy, melodramatic presentation of the morally-dubious activities of its characters. Finally, like the rest of Lynch's oeuvre, the show represents an earnest moral inquiry distinguished by both weird comedy and a deep vein of surrealism.

A popular feature of the series was Frost and Lynch's use of repeating and sometimes mysterious motifs — trees, water, coffee, donuts, owls, ducks, fire — and numerous embedded references to other films and TV shows, such as The Twilight Zone (mysteriously malfunctioning electrical equipment), and The Patty Duke Show (the phenomenon of identical cousins).
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