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The Creature from the Black Lagoon

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Author Topic: The Creature from the Black Lagoon  (Read 1847 times)
Rachel Dearth
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« Reply #105 on: October 09, 2007, 02:22:51 am »

Which would be a major bummer!

Well, I'm tired, so I'm off to bed.  I had a wonderful time talking to you tonight! 

Rachel
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unknown
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« Reply #106 on: October 09, 2007, 02:25:51 am »

I had a great time talking to you to dear... nighty night
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"There exists an agent, which is natural and divine, material and spiritual, a universal plastic mediator, a common receptical of the fluid vibrations of motion and the images of forms, a fluid, and a force, which can be called the Imagination of Nature..."
Elphias Levi
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« Reply #107 on: October 09, 2007, 03:06:13 pm »

Creature From The Black Lagoon




another song



The B Movie Celebration-Creature From The Black Lagoon
British movie theatre commentary




Ben Chapman - The Original Creature from the Black Lagoon

« Last Edit: October 09, 2007, 06:51:49 pm by unknown » Report Spam   Logged

"There exists an agent, which is natural and divine, material and spiritual, a universal plastic mediator, a common receptical of the fluid vibrations of motion and the images of forms, a fluid, and a force, which can be called the Imagination of Nature..."
Elphias Levi
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« Reply #108 on: October 09, 2007, 03:14:24 pm »

http://www.imdb.com/title/tt0046876/

Today, "The Creature From the Black Lagoon" is considered a classic. The film itself has become a cliche for the "man-in-a-rubber-suit" monster movie, and the "gillman" is now included in the pantheon of classic movie monsters -along with Dracula, Frankenstein, and the Wolfman.

I was a teenager when I first saw this Sci-Fi/Horror gem on television in 1965--the film was already ten years old by then--and I loved it. Surprisingly--even after a decade of watching technically sophisticated, state-of-the-art, unbelievably realistic prosthetic, animatronic, and computer-generated movie monsters--today's teenagers still love the old "rubber" prototype of all swamp monsters -"The Creature From the Black Lagoon". This is especially true of teenage boys. Why? Perhaps every adolescent male can relate to the film's star: the Creature is ****, inarticulate, moody, misunderstood, not pleasant to look at, and is unbelievably awkward with girls -the ultimate teenage "geek". We all remember this classic scene in the movie: the film's beautiful heroine (Julie Adams) decides to take a dip, unaware that the Creature is swimming below her. The image is archetypal : the powerful "masculine", and the overtly seductive "feminine", beautifully juxtaposed in a stylized sexual union. Then, from the murky bottom of his lagoon, the Creature leeringly watches Adams as she performs an erotic underwater ballet, and he knows that, for the moment, he can only look, not touch. (Is the "scaly one" shy and insecure? Or does he simply have a Catholic upbringing?) Indeed, much of the film's imagery lends itself to Freudian interpretation.

OK, so it's not exactly "Beauty and the Beast" -the Creature's passion is purely primal and elemental. But still, the fact that he restrains himself, satisfying his carnal curiosity with a simple caressing of Julie's ankles, and then retreats back to the gloomy bottom of his underwater sanctum to secretly watch her react in bewilderment, suggests he may be more human than he appears. But, alas, as any good Freudian will tell you, repression often leads to disfunction. And later in the film, in a brief, but beautifully filmed underwater scene, the Creature savagely drags the tantalizing "Playboy centerfold" down into the Freudian depths to his subterranean grotto -perhaps to hide her under his bed...where his mom can't find her. (I apologize for the metaphor. It's getting stale, I know.)

"The Creature From the Black Lagoon" was directed by Jack Arnold ("The Incredible Shrinking Man"), who (from 1952 to 1960) directed a series of fantasy/horror films for Universal Studios, including "Revenge of the Creature" -this film's sequel. Arnold would certainly object to us reading too much symbolism in his gillman, but the Creature may not have achieved such enduring status in monster-mythology if not for the fears and anxieties of the movie-going audience of the '50s. Arnold's dramatic use of the Creature succeeds, of course, by exploiting the human fear of the unseen threat lurking below -a very primal, deeply embedded in the human subconscious, and one that's been ruthlessly exploited by filmmakers in countless horror films. But Arnold's beast may also represent a more intellectualized fear. In the 1950s (and beyond), the threat of nuclear annihilation was very real, and like the creature in Shelly's "Frankenstein", Arnold's lagoon creature represents an elemental force of nature that, once discovered and awakened by science (even well-intentioned science), cannot be controlled -perhaps like the newly tapped, but untamed, power of the atom. Or (and this may sound like apostasy in one of John's pretentious, sophistical, over-intellectualized movie reviews, in which I've constantly and digressively wandered into the Freudian morass) perhaps the Creature is not a mataphor for teenage angst, forbidden knowledge, or cold-war anxiety. Perhaps the Creature is nothing more than a guy in a scary rubber suit chasing a pretty girl around a movie soundstage. But where's the fun in that?

"The Creature From the Black Lagoon" is still fun to watch. Actors Richard Carlson (the sophmoric, but noble-minded paleozoologist) and Richard Denning (the ambitious financier) play off each other well. And Julie Adams is simply gorgeous in her custom-made swimsuit. Also, the beautiful (albeit black & white) underwater photography by James C. Haven is appropriately surreal: as the men begin their search and descend into the black depths of the lagoon, they intermittently twirl and hover amidst penetrating shafts of sunlight from above; and as the camera pans the peaceful bottom-landscape of the lagoon, the gillman suddenly springs from clouds of disturbed sediment, thrashing through curtains of shimmering air bubbles and drifting weeds, determined and unstoppable in his persuit of the human intruders. But one of the best things about the movie is the music. Some of the themes--written by Henry Mancini and Herman Stein--are quite beautiful; for example, as the expedition slowly makes its way up the dark Amazon, an ensemble of gentle woodwinds can be heard -a soft, subliminal prelude that lets us know we are entering another world, a primeval world. And who can forget the Creature's signature theme--the brassy, bombastic, three-note progression of DA DA DAAAAA!--whenever "Creech" appeared on the screen?

Of course, the best thing in the film is...the Creature. Jack Arnold suggested that the design of the gillman suit be based on the graceful form of the Motion Picture Academy's "Oscar" statuette. (Really!) The suit was designed and brilliantly crafted by make-up artist Bud Westmore, and there were two versions -one suit for filming on land, and another for filming underwater. On land, the gillman was played by Ben Chapman. Olympic swimmer Ricou Browning wore the gillman suit in the underwater scenes. The "dry suit" that Chapman wore was beautifully colored with iridescent greens and blues, and mottled with many other marine hues. The "wet suit" worn by Browning was a bright yellow -the marine hues chosen for the "dry suit" photographed too dark when filming underwater.

Yeah, I really love this movie. I'm not sure why. Perhaps it's just one geek relating to another. You see, in the final reel, neither of us got the girl.
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"There exists an agent, which is natural and divine, material and spiritual, a universal plastic mediator, a common receptical of the fluid vibrations of motion and the images of forms, a fluid, and a force, which can be called the Imagination of Nature..."
Elphias Levi
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« Reply #109 on: October 09, 2007, 06:54:35 pm »

Hey Rachel

In regards to your earlier question, one of the reviewers said that the Creature was modeled after the Oscar statue.
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"There exists an agent, which is natural and divine, material and spiritual, a universal plastic mediator, a common receptical of the fluid vibrations of motion and the images of forms, a fluid, and a force, which can be called the Imagination of Nature..."
Elphias Levi
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« Reply #110 on: October 10, 2007, 01:36:32 am »

Nice thread!  You and Rachel do nice work. 

A couple of things to nitpick on, though, if you don't mind!

First off, he's actually called the Creature from the Black Lagoon, second, Eastwood did not play him in the first one!

The Creature was actually played by two guys in the first movie: Ben Chapman on land and Ricou Browning in the water!  Eastwood did have a bit part as a lab assistant in Revenge of the Creature, but I don't believe ever played the Gill Man himself. Ricou Browning played the Gillman again (underwater) and Tom Hennesy played him on land. 

Other than that, great work! 
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unknown
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« Reply #111 on: October 10, 2007, 12:06:16 pm »

I would change the thread header if I knew how.

 I changed the intro quite a while back I am surprised your still seeing Clint in it...
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"There exists an agent, which is natural and divine, material and spiritual, a universal plastic mediator, a common receptical of the fluid vibrations of motion and the images of forms, a fluid, and a force, which can be called the Imagination of Nature..."
Elphias Levi
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« Reply #112 on: October 10, 2007, 01:00:36 pm »

Looks like you figured it out, Unknown!

All anyone has to do to change the title of their thread is to edit the first post, the one with the title in it. 

Nice thread!

Europa
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Europa
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« Reply #113 on: October 10, 2007, 01:10:05 pm »

Now I fixed it!  Again, if anyone wants to change the title of their topic all you need do is change the title (subject) of the first post!

Europa
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« Reply #114 on: October 10, 2007, 02:13:02 pm »

Hi Europa

I can't believe I couldn't figure it... it was so easy.
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"There exists an agent, which is natural and divine, material and spiritual, a universal plastic mediator, a common receptical of the fluid vibrations of motion and the images of forms, a fluid, and a force, which can be called the Imagination of Nature..."
Elphias Levi
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