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The X-Files

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Author Topic: The X-Files  (Read 4665 times)
Jennifer O'Dell
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« Reply #30 on: July 23, 2007, 04:24:02 am »




For season seven's "Orison", Nick Chinlund reprised his role of Donnie Pfaster, the "escalating death fetishist" first seen in "Irresistible".

Seasons 7 – 9 (1999-2002)

In November 1999, "The Sixth Extinction" and its second part "Amor Fati" continued the story arc begun in the previous year. New sixth season director Michael Watkins oversaw the latter episode, which was a writing collaboration between Chris Carter and David Duchovny, harkening back to the themes and characters of previous X-Files history—"Anasazi/The Blessing Way/Paper Clip" and Carter's "Redux" trilogy—as well as to The Last Temptation of Christ.[93] However, it was the lowest rated season premiere since 1994's "Little Green Men".[4] Subsequent offerings like "Millennium" (a crossover with Carter's recently canceled other series), and Vince Gilligan's "Hungry" (a sardonic "monster of the week" in which Mulder and Scully barely appeared) and "X-Cops" (an experimental merging with FOX's reality show COPS), did not substantially improve viewership.[4] "Millennium", however, as well as featuring Lance Henriksen reprising his role of Frank Black for the final time, also made waves for showing the first consensual mouth-to-mouth kiss of Mulder and Scully.[94] The occasion was New Year's 2000.

Nick Chinlund also reprised his role of Donnie Pfaster in "Orison", a sequel to season two's "Irresistible", while Ricky Jay played a magician in "The Amazing Maleeni", which contrasted with the generally more emotional tone of season seven. Novelists Tom Maddox and William Gibson returned with a second episode, "First Person Shooter", this time directed by Chris Carter. There were reports of friction between cast and crew, however. David Duchovny, who had filed a lawsuit with FOX that also alleged Carter was paid "hush money" to approve an unfair syndication contract, was reputed to be bored with The X-Files a year after relocating. The show's production costs since the move from Vancouver—typically over $3 million per episode—were also a matter of concern to the network, as it both financed and distributed the show and could not pass off costs to itself without hurting the corporate bottom line.[92]

Breaking the formula of standard stand-alone episodes were several efforts written and directed by the show's stars. Gillian Anderson directed her own script for the metaphysical "All Things", further exploring Scully's character. It was the first X-Files to be directed by a woman,[50] though the show had had several female writers for periods during seasons 2, 3 and 4 (Carter himself was subject to a harassment lawsuit over the supposed atmosphere that existed among the writing staff years earlier,[35] which was dismissed). Duchovny followed up his prior episode "The Unnatural" with the over-the-top satire, "Hollywood A.D." The title referenced both the Church scandal uncovered therein, and the prospect of Mitch Pileggi's Assistant Director Skinner as a Hollywood player; the self-reflexive episode concerned Skinner's effort to get a blockbuster movie made about Mulder and Scully's X-Files investigations, but the "stars" playing the agents are actress Téa Leoni, Duchovny's real life wife as Scully, and comedian Garry Shandling as Mulder. Finally, William Davis, known for his ongoing role as the Cigarette Smoking Man, wrote an episode examining his character, called "En Ami". It was one of Davis' final appearances in the show.

"En Ami" was also director Rob Bowman's final episode for the show. Before the seventh season finale, longtime writer Vince Gilligan also got the chance to direct his first episode, "Je Souhaite" (about a reluctant genie), and Chris Carter turned in the dark slapstick "Fight Club", a return to Carter's roots in comedy. The episode, guest starring Kathy Griffin, did not go over well,[95] particularly so close to what fans expected would be final revelations to the mythology; it holds the record for all time lowest voted episode of the whole series in a survey of viewers.

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