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Central Park

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Author Topic: Central Park  (Read 297 times)
Jeannette Latoria
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« on: November 26, 2008, 12:01:15 am »

Several influences came togethers in the design. Landscaped cemeteries, such as Mount Auburn (Cambridge, Massachusetts) and Green-Wood (Brooklyn, New York) had set an example of idyllic, naturalistic landscapes. The most influential innovations in the Central Park design were the "separate circulation systems" for pedestrians, horseback riders, and pleasure vehicles. The "crosstown" commercial traffic was entirely concealed in sunken roadways (today called "transverses") screened with densely planted shrub belts, so as not to disturb the impression of a rustic scene. The Greensward plan called for some 36 bridges, all designed by Vaux, ranging from rugged spans of Manhattan schist or granite, to lacy neo-gothic cast iron, no two alike. The ensemble of the formal line of the Mall's doubled allées of elms culminating at Bethesda Terrace, whose centerpiece is The Bethesda Fountain, with a composed view beyond of lake and woodland was at the heart of the larger design.

Before the construction of the park could start, the area had to be cleared of its inhabitants, most of whom were quite poor and either free African-Americans or immigrants of either German or Irish origin. Most of them lived in smaller villages, such as Seneca Village, Harsenville, the Piggery District or the Convent of the Sisters of Charity. The roughly 1,600 working-class residents occupying the area at the time were evicted under the rule of eminent domain during 1857, and Seneca Village and parts of the other communities were torn down and removed in order to make room for the park. The person responsible for carrying out the evictions was the great-great grandfather of future New York Yankee Joe Pepitone.

During the construction of the park, Olmsted fought constant battles with the Park Commissioners, many of whom were appointees of the city's Democratic machine. In 1860, he was forced out for the first of many times as Central Park's Superintendent, and Andrew Haswell Green, the former president of New York City's Board of Education took over as the chairman of the commission. Despite the fact that he had relatively little experience, he still managed to accelerate the construction, as well as to finalize the negotiations for the purchase of an additional 65 acres (26 ha) at the north end of the park between 106th and 110th Streets, which would be used as the "rugged" part of the park, its swampy northeast corner dredged and reconstructed as the Harlem Meer.

 
Cleopatra's Needle, Central ParkBetween 1860 and 1873, the construction of the park had come a long way, and most of the major hurdles had been overcome. During this period, more than 500,000 cubic feet (14,000 m³) of topsoil had been transported in from New Jersey, as the original soil wasn't good enough to sustains the various trees, shrubs, and plants the Greensward Plan called for. When the park was officially completed in 1873, more than ten million cartloads of material, including soil and rocks which were to be removed from the area had been manually dug up, and transported out of the park. Also included were the more than four million trees, shrubs and plants representing the approximately 1,500 species which were to lay the foundation for today's park.

Interestingly, sheep actually grazed on the Sheep Meadow from the 1860s until 1934, when they were moved upstate since it was feared they would be used for food by impoverished depression-era New Yorkers.[13]

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