THE CIVILIZATION OF THE RENAISSANCE IN ITALY

Equality of Men and Women



To understand the higher forms of social intercourse at this period, we must keep before our minds the fact that women stood on a footing of perfect equality with men. We must not suffer ourselves to be misled by the sophistical and often malicious talk about the assumed inferiority of the female sex, which we meet with now and then in the dialogues of this time, nor by such satires as the third of Ariosto, who treats woman as a dangerous grown-up child, whom a man must learn how to manage, in spite of the great gulf between them. There is, indeed, a certain amount of truth in what he says. Just because the educated woman was on a level with the man, that communion of mind and heart which comes from the sense of mutual dependance and completion, could not be developed in marriage at this time, as it has been developed later in the cultivated society of the North.

The education given to women in the upper classes was essentially the same as that given to men. The Italian, at the time of the Renaissance, felt no scruple in putting sons and daughters alike under the same course of literary and even philological instruction. Indeed, looking at this ancient culture as the chief treasure of life, he was glad that his girls should have a share in it. We have seen what perfection was attained by the daughters of princely houses in writing and speaking Latin. Many others must at least have been able to read it, in order to follow the conversation of the day, which turned largely on classical subjects. An active interest was taken by many in Italian poetry, in which, whether prepared or improvised, a large number of Italian women, from the time of the Venetian Cassandra Fedele onwards (about the close of the fifteenth century), made themselves famous. One, indeed, Vittoria Colonna, may be called immortal. If any proof were needed of the assertion made above, it would be found in the manly tone of this poetry. Even the love-sonnets and religious poems are so precise and definite in their character, and so far removed from the tender twilight of sentiment, and from all the dilettantism which we commonly find in the poetry of women, that we should not hesitate to attribute them to male authors, if we had not clear external evidence to prove the contrary.

For, with education, the individuality of women in the upper classes was developed in the same way as that of men. Till the time of the Reformation, the personality of women out of Italy, even of the highest rank, comes forward but little. Exceptions like Isabella of Bavaria, Margaret of Anjou, and Isabella of Castile, are the forced result of very unusual circumstances. In Italy, throughout the whole of the fifteenth century, the wives of the rulers, and still more those of the Condottieri, have nearly all a distinct, recognizable personality, and take their share of notoriety and glory. To these came gradually to be added a crowd of famous women of the most varied kind; among them those whose distinction consisted in the fact that their beauty, disposition, education, virtue, and piety, combined to render them harmonious human beings. There was no question of 'woman's rights' or female emancipation, simply because the thing itself was a matter of course. The educated woman, no less than the man, strove naturally after a characteristic and complete individuality. The same intellectual and emotional development which perfected the man, was demanded for the perfection of the woman. Active literary world, nevertheless, was not expected from her, and if she were a poet, some powerful utterance of feeling, rather than the confidences of the novel or the diary, was looked for. These women had no thought of the public; their function was to influence distinguished men, and to moderate male impulse and caprice.