Jean Harlow
Carolina Brewer:
Jean Harlow (March 3, 1911 – June 7, 1937) was an American film actress and sex symbol of the 1930s. She was known as the "Platinum Blonde" and "The Blonde Bombshell" for her famous platinum blonde hair. Harlow starred in several films, mainly designed to showcase her magnetic sex appeal and strong screen presence before transitioning to more developed roles and achieving massive fame under contract to MGM. Harlow's enormous popularity and "laughing vamp" image were in distinct contrast to her personal life, which was marred by disappointment, tragedy, and ultimately, her sudden death from renal failure at 26.
Carolina Brewer:
Born Harlean Harlow Carpenter
March 3, 1911(1911-03-03)
Kansas City, Missouri, United States
Died June 7, 1937 (aged 26)
Los Angeles, California, United States
Years active 1927–1937
Spouse(s) Harold Rosson (1933–1934)
Paul Bern (1932–1932)
Charles McGrew (1927–1929)
Carolina Brewer:
Harlow was born Harlean Harlow Carpenter in Kansas City, Missouri, the daughter of Mont Clair Carpenter, a dentist, and his wife, Jean Poe Carpenter (née Harlow). Young Harlean's father came from a working-class background while her mother was the daughter of a wealthy real estate broker, Skip Harlow and his wife Ella Harlow (née Williams). The marriage was arranged by Jean Carpenter's father, Skip. Carpenter, an intelligent and strong-willed woman, resented it, and would become very unhappy in the marriage.
Harlean's childhood was not marked by poverty and unhappiness. Harlean lived with her parents in a very large house in Kansas City that was her grandfather's second home. The only grandchild in the family, Harlean was nicknamed "The Baby", a moniker that would stick with her for the rest of her life. Without any siblings, Harlean became extremely close to her mother, and Jean Carpenter, unhappy in her marriage, turned all her focus onto her daughter. She was extremely protective and coddling to young Harlean, instilling in her a sense that Harlean owed everything she had to her mother, which in turn, inspired a deep devotion from daughter to mother, another aspect which would carry through to adulthood. So coddled was young Harlean that she did not learn until the age of five, when she began to attend school at Miss Barstow's Finishing School for Girls in Kansas City, that her name was actually Harlean and not "Baby".
With her daughter at school, Mother Jean become increasingly frustrated and filed for divorce (no small matter at the time) which was finalized, uncontested, September 29, 1922 and was granted, among other things, sole custody of her daughter. Harlean would only see her father again once more in her lifetime.
In 1923, with hopes of becoming an actress, Mother Jean moved with Harlean to Hollywood, where the child briefly attended the Hollywood School for Girls. However with no good prospects forthcoming in acting for Mother Jean and dwindling finances, they returned to Kansas City within two years. In the summer of 1925, Harlean's grandfather sent her to a summer camp called Camp Cha-Ton-Ka in Michigamme, Michigan. It was during this summer that Harlean would catch scarlet fever. From there Harlean attended the Ferry Hall School in Lake Forest, Illinois. Freshmen were paired with a "big sister" from the senior class, and fifteen-year-old Harlean was paired with a girl who would introduce her to nineteen-year-old Charles "Chuck" McGrew, heir to a large fortune, in the fall of 1926. Harlean and McGrew fell in love and were married at the end of 1927, much to the annoyance of Mother Jean (who had earlier that year married Marino Bello); marriage would free Harlean from her control.
Shortly after the marriage, Chuck McGrew turned twenty-one and received part of his large inheritance and the couple moved to Los Angeles, where Harlean thrived as a wealthy socialite and more importantly, away from her mother. In Los Angeles, Harlean befriended Rosalie Roy, a young aspiring actress. Lacking a car, Roy asked Harlean to drive her to Fox Studios for an appointment she had. It was there, sitting in the car waiting for her friend, Harlean was noticed by Fox executives. Approached by the executives, Harlean was given dictated letters of introduction to the Central Casting Bureau despite stating she was not interested. Recounting this story a few days later, Rosalie Roy made a wager with Harlean that she did not have the nerve to go back and audition for roles. Unwilling to lose a wager and pressed by her enthused mother, Harlean drove to Central Casting and signed in under her mother's name: Jean Harlow.
Carolina Brewer:
After several calls and turned-down job offers from Central Casting, Harlean was pressured by her mother (now relocated to Los Angeles) into accepting work. Harlean then appeared in her first film, Honor Bound as an unbilled extra, for $7 a day. This led to several other roles, and Harlean landed bit parts in silent films such as, Why Is a Plumber? (1927), Moran of the Marines (1928) and The Love Parade (1929). She had more substantial roles in Laurel and Hardy's short Double Whoopee, and the Clara Bow vehicle The Saturday Night Kid, both in 1929. Under pressure from Harlean's career ascent, she and Chuck McGrew separated in June 1929, and Harlean moved in with her mother and Bello.
During filming of Weak But Willing in 1929, she was spotted by James Hall, an actor in a then-shooting Howard Hughes film called Hell's Angels. Hughes, re-shooting the film from silent into sound, needed a new actress as the original actress Greta Nissen's Norse accent proved undesirable for a talkie. Harlean met briefly with Hughes and was hired on the spot. Hughes signed Jean Harlow to a five-year contract on October 24, 1929. It was during shooting that Harlow would meet MGM executive Paul Bern. Hell's Angels premiered in Hollywood on May 27, 1930 at Grauman's Chinese Theater.
Harlow was a sensation with audiences, but critics were less than besotted. The New Yorker called Harlow "plain awful". Variety was a bit more lenient in remarking, "It doesn't matter what degree of talent she possesses....nobody ever starved possessing what she's got", referring to her sex appeal. In 1931, loaned out by Hughes' Caddo Company to other studios, Harlow began to gain more attention when she appeared in The Public Enemy (with James Cagney), Goldie, The Secret Six (with Wallace Beery and Clark Gable), and Platinum Blonde with Loretta Young. In fact, Hughes convinced the producers of Platinum Blonde to rename it from its original title of Gallagher in order to promote Harlow's image. Though the films ranged from moderate to smash hits, Harlow's acting ability was damned by critics as awful and was mocked, with some saying she ruined any scene she was in.
Carolina Brewer:
Concerned about Harlow's status, Hughes sent her on a personal appearance tour of the East Coast in late 1931. To the surprise of many, especially Harlow herself, she packed every theatre she appeared in, often appearing multiple nights in one venue. Despite critical assailment and poor roles, Harlow's popularity and following was large and growing, to the extent that the tour was extended through early 1932. Many of Harlow's female fans were dyeing their hair platinum to match hers. To capitalize on this craze, Hughes' team organized a series of "Platinum Blonde" clubs across the nation, with a prize of $10,000 to any beautician that could match Harlow's shade.
Apprised of this, Paul Bern (now romantically involved with Harlow) spoke to Louis B. Mayer about buying out Harlow's contract from Hughes and signing her to MGM. Mayer would have none of it. MGM's leading ladies were just that, and Harlow's silver screen image was that of a floozy, which was abhorrent to Mayer. Bern then began urging good friend Irving Thalberg, production head of MGM, to sign Harlow, noting Harlow's pre-existing popularity and established image. After initial reticence, Thalberg agreed, and on March 3, 1932, Harlow's twenty-first birthday, Bern called with the news that MGM had bought Harlow's contract from Hughes for $30,000. Harlow would afterwards be required to report to MGM and officially joined the studio on April 20, 1932.
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