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The Lost History of Easter Island

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Author Topic: The Lost History of Easter Island  (Read 287 times)
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Moabite God
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« on: February 03, 2008, 09:36:47 pm »



Skeptics of a Peruvian influence at Vinapu also point out that the superb construction in evidence at this site is unique on the island, rather than being the norm. However, when Captain Cook arrived on Rapa Nui, he described the existence of another platform similar to Vinapu in Hanga Roa.1 Unfortunately this ahu was dismantled so that its stones could be used in the construction of a harbor. Since it was taken apart before it could be properly studied, most researchers choose to ignore its existence.

Another ahu with stonework resembling that found at Vinapu was documented by William Thomson in 1886. Along the north coast he described and sketched a platform called Ahu Ahau that has since fallen into the sea.1 Lastly, while conducting excavations at Anakena beach in 1987, Thor Heyerdahl’s team unearthed another finely-constructed massive stone wall just beneath the surface.1 While still available to researchers, no follow-up digs have occurred to further explore the underground ruins at Anakena.




So certainly in ancient times, the fine construction in evidence at Ahu Vinapu was not unique. Unfortunately most of the stone walls to which it could be best compared are no longer in existence or visible. Whether or not Vinapu genuinely represents a South American influence on Easter Island is a point that will no doubt continue to be debated.

After marveling at the fine stone work, I climbed back into my jeep and continued east stopping at several platforms and moai until I reached Ahu Hanga Te’e. From a distance this ahu didn’t seem to be particularly impressive as all the moai that once stood atop it now lay face down. But a walk around the site revealed a number of interesting features. The generally accepted chronology for stone carving on the island identifies the earliest moai as those with rounded bald heads, while later moai were carved with flat heads to allow a topknot or pukao to be placed on top. These topknots were carved from a soft red scoria and increased the height of moai that were already being carved larger and larger.

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