Message #40717

[Creighton]

Chaney's makeup for the film is noteworthy, for the sharpened teeth and the hypnotic eye effect he achieved with special wire fittings which he wore like monocles. Based on surviving accounts, he purposefully gave the "vampire" character an absurd quality, because it was the film's Scotland Yard detective character (also played by Chaney) in a disguise. Surviving stills show this was the only time Chaney used his famous makeup case as an onscreen prop.

The film was well-received at the box-office, grossing almost $500,000. It was the most successful collaborative film between Chaney and Browning. Unfortunately, it is now lost: no copies of the film are known to exist, although there has been an attempt at a reconstruction utilizing the script and publicity shots. Browning later remade the film, with some changes to the plot, as Mark of the Vampire (Lionel Barrymore plays the police inspector and Bela Lugosi portrays the vampire).

The film was used as a part of the defense for a man accused of murdering a woman in Hyde Park, London in 1928. He claimed Chaney's performance drove him temporarily insane, but his plea was rejected and he was convicted of the crime.

The last known print of the film was stored by MGM in Vault #7. In 1965, an electrical fire broke out in the vault that destroyed countless films from the silent era, including this last known print. However, rumors persist that one copy of the film may exist in a private collection in Canada and that the owner has declined to bring the print forward for preservation.