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Halloween (film series)


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Author Topic: Halloween (film series)  (Read 2645 times)
Michael Myers
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« Reply #15 on: October 31, 2007, 03:38:31 pm »


Critical reaction to the film was mixed. While film critics had largely showered praise on Halloween, most reviews of its sequel compared it with the original and found it wanting. Roger Ebert of the Chicago Sun-Times wrote that Halloween II represented "a fall from greatness" that "doesn't even attempt to do justice to the original." Ebert also commented, "Instead, it tries to outdo all the other violent Halloween rip-offs of the last several years."[6] Critic James Berardinelli offered a particularly stinging review:

The main problem is the film's underlying motivation. Halloween was a labor of love, made by people committed to creating the most suspenseful and compelling motion picture they could. Halloween II was impelled by the desire to make money. It was a postscript—and not a very good one—slapped together because a box office success was guaranteed.[24]

He accused Carpenter and Hill of not believing "in this project the way they believed in the original, and it shows in the final product. The creepiness of the first movie has been replaced by a growing sense of repetitive boredom." Berardinelli was not impressed by the decision to give Myers so much screen time. He says, "The Shape, who was an ominous and forbidding force, has been turned into a plodding zombie. The characters have all been lobotomized, and, in keeping with the slasher trend, the gore content is way up. There was virtually no blood in Halloween; Halloween II cheerfully heaps it on."[24]

On the other hand, Janet Maslin of the New York Times compared the film to other horror sequels and recently released slasher films of the early 1980s rather than to the original. "By the standards of most recent horror films, this—like its predecessor—is a class act." She notes that there "is some variety to the crimes, as there is to the characters, and an audience is more likely to do more screaming at suspenseful moments than at scary ones." Maslin applauded the performance of the cast and Rosenthal and concluded, "That may not be much to ask of a horror film, but it's more than many of them offer."[41] David Pirie's review in Time Out magazine gave Rosenthal's film positive marks, stating, "Rosenthal is no Carpenter, but he makes a fair job of emulating the latter's visual style in this sequel." He wrote that the Myers character had evolved since the first film to become "an agent of Absolute Evil."[42] Film historian Jim Harper suggests, "Time has been a little fairer to the film" than original critics. In retrospect, "many critics have come to recognise that it's considerably better than the slew of imitation slashers that swamped the genre in the eighties."[43]

Like the original Halloween, this and other slasher films have come under fire from feminist critics. According to historian Nicholas Rogers, academic critics "have seen the slasher movies since Halloween as debasing women in as decisive a manner as hard-core pornography."[8] Critics such as John Kenneth Muir point out that female characters such as Laurie Strode survive not because of "any good planning" or their own resourcefulness, but sheer luck. Although she manages to repel the killer several times, in the end, Strode is rescued in Halloween and Halloween II only when Dr. Loomis arrives to shoot Myers.[44] This was parodied in the film Scary Movie, especially the scene in which Carmen Electra's character Drew Decker chooses a banana with which to do battle with the psycotic killer, rather than an array of deadly weapons such as a dagger, hand grenade, and pistol.

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