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Lana Turner

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Jennifer Murdoch
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« Reply #45 on: June 10, 2014, 09:26:26 pm »

Success

Mayer turned her into a glamorous star and gave her the leads in several youth oriented films in the late 1930s and early 1940s, such as Dramatic School (1938), These Glamour Girls (1939) and Dancing Co-Ed (1939). In early 1940, she was also set to star in a remake of Our Dancing Daughters, but the film was never made.[9] From the beginning of her career, Turner stood her ground on her beliefs and was one of the few actresses at MGM to go against Mayer's wishes.[6]
in The Postman Always Rings Twice (1946)

Turner, an actress bolstered by her extreme beauty, reached the height of her fame in the 1940s and 1950s. During World War II, Turner became a popular pin-up girl because of her popularity in such films such as Ziegfeld Girl (1941), Johnny Eager (1942), Slightly Dangerous (1943) and four films with Metro-Goldwyn-Mayer's "king of the lot", Clark Gable. The Turner-Gable films' successes were only heightened by gossip-column rumors about a relationship between the two. Turner even had a B-17 Flying Fortress—the Tempest Turner—named after her.[10] Following the canned The Sea Wolf project, Turner and Gable were set to star in The Uniform in December 1940.[11] Turner was eventually replaced by Rosalind Russell and the film was released as They Met in Bombay (1941).

Meanwhile, Turner was receiving much publicity for her personal life, and her career was one of the very few to be furthered by this.[6] MGM boosted this by changing the title of her latest film to Slightly Dangerous (1943).[6] After the war, Turner's career continued successfully with the release, The Postman Always Rings Twice (1946), which co-starred John Garfield.[12] As claimed in a documentary, Turner did not get along with him and when she found he was her male lead, she responded: "Couldn't they at least hire someone attractive?" The now-classic film noir marked a turning point in her career, and it marked Turner's first femme fatale role. Reviews of the film, and in particular, Turner's performance, were glowing, with a critic of The New York Times writing it was "the role of her career."[6]

While not exactly giving up her pin-up credentials, Turner established herself as a skilled actress, and commented on this in 1946:

    "I finally got tired of making movies where all I did was walk across the screen and look pretty. I got a big chance to do some real acting in The Postman Always Rings Twice, and I'm not going to slip back if I can help it. I tried to persuade the studio to give me something different. But every time I went into my argument about how bad a picture was they'd say, 'well, it's making a fortune.' That licked me."[13]

She got the role after turning down "four pretty-pretty parts in a row." The film became a box office success, which prompted the studio to take more risks on the star.[13] In August 1946, it was announced Turner was set to replace Katharine Hepburn in the big-budgeted historical drama Green Dolphin Street (1947), a role for which she darkened her hair and lost 15 pounds.[13][14] She was cast due to the persistence of producer Carey Wilson, who was overwhelmed by her performance in The Postman Always Rings Twice.[14] Turner later recalled she was surprised about replacing Hepburn, saying: "And I guess I'm about the most un-Hepburnish actress on the lot. But it was just what I wanted to do." It was her first starring role that did not center on her looks. In an interview, Turner said: "I even go running around in the jungles of New Zealand in a dress that's filthy and ragged. I don't wear any make-up and my hair's a mess." Nevertheless, she insisted she would not give up her glamorous image.[13]

Later that year, Turner headlined Cass Timberlane, a role that Jennifer Jones, Vivien Leigh and Virginia Grey were previously considered for.[15] As of early 1946, Turner was set for the role, but schedules with Green Dolphin Street almost prohibited her from taking the role, and by late 1946, she was almost recast.[16] Production of Cass Timberlane was very exhausting for Turner, as it was shot in between retakes of Green Dolphin Street.[17] Nevertheless, she took the female lead in Homecoming (1948) in August 1947, only moments after finishing Cass Timberlane.[18] She was the studio's first choice for the role, but they were reluctant to offer her the part, considering her overbooked schedule.[18] Paired again with Clark Gable in Homecoming, their chemistry projected on the screen was well received by the audience, and they were nicknamed "the team that generates steam".[19] By this period, Turner achieved the milestone of her film career, and was not only MGM's most popular star, but also one of the ten best-paid women in the United States.[6]
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« Reply #46 on: June 10, 2014, 09:26:45 pm »

In 1948, Turner appeared in her first Technicolor film, as Lady de Winter in The Three Musketeers, opposite Gene Kelly, Van Heflin and June Allyson. In November 1947, she agreed to do the film, thereby giving up an unfinished film project called Bedeviled.[20] However, in January 1948 it was reported that she had withdrawn from the film. Initially, Louis B. Mayer gave her permission for doing so because of her schedule,[21] but she was later that month put on suspension.[22] Eventually, Turner agreed to make the film, but did not start production until March due to having to lose weight. In 1949, she was to headline A Life of Her Own (1950). The project was shelved for several months, and Turner insisted in December 1949 that she had nothing to do with it, saying: "Everybody agrees that the script is still a pile of junk. I'm anxious to get started. By the time this one comes out, it will be almost three years since I was last on the screen, in The Three Musketeers. I don't think it's healthy to stay off the screen that long."[23]

During the 1950s, Turner starred in a series of films that failed to succeed at the box office, a situation MGM attempted to remedy by casting her in musicals. The first, Mr. Imperium (1951), was a flop, while The Merry Widow (1952) was more successful. She gave a widely praised performance in Vincente Minnelli's film, The Bad and the Beautiful (1952) (in a role partly based on Diana Barrymore), and later starred with John Wayne in the adventure film The Sea Chase (1955). She was then cast in the epic The Prodigal (1955), but the film and her performance in general were not well received. After the film Diane (1956), MGM opted not to renew her contract. This was a difficult time for Hollywood's major studios because a recent court decision forced them to divest themselves of their movie theaters. In addition, television had caught on in a big way; the public was staying home. Turner was just one of MGM's star roster to be let go. Her career recovered briefly after she appeared in the hugely successful big-screen adaptation of Grace Metalious's best-selling novel, Peyton Place (1957), for which she was nominated for an Academy Award for Best Actress. Another few box-office failures followed (Another Time, Another Place (1958), for example) when the 1958 scandal surrounding her daughter's killing of Stompanato threatened to derail her career completely.[citation needed]

In the trail of the related negative publicity, Turner accepted the lead role in Ross Hunter's remake of Imitation of Life (1959) under the direction of Douglas Sirk. Universal Studios capitalized on her new-found notoriety; the result was one of the biggest hits of the year, and the biggest of Turner's career; she owned 50% of the earnings of the picture and during just the first year of the film's release she earned $11 million. Critics and audiences couldn't help noticing that the plots of Peyton Place and Imitation of Life each had borrowed heavily from Turner's private life. Both film depicted the troubled, complicated relationship between a single mother and her teenage daughter.[citation needed]

She made her last film at MGM starring with Bob Hope in Bachelor in Paradise (1961). Other highlights of this era include By Love Possessed (1961), based on the James Gould Cozzens novel and two Hunter productions (for whom she did Imitation of Life), Portrait in Black (1960) and Madame X (1966), which proved to be her last major starring role.
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« Reply #47 on: June 10, 2014, 09:26:58 pm »

Later years

In 1969, Turner appeared in her only lead starring role on television in ABC's Harold Robbins' The Survivors, but despite the presence of other big-name stars, the program fared badly opposite Mayberry R.F.D. and The Doris Day Show on CBS and The NBC Monday Movie, and was cancelled midway into the season.

In the 1970s and 1980s, Turner appeared in several television roles, most notably as a guest star for several episodes on the series Falcon Crest as the mysterious Jaqueline Perrault and The Love Boat, but the majority of her final decade was spent out of the public eye.

On October 25, 1981 the National Film Society presented Lana with an Artistry in Cinema award. In 1994 she received Donostia Lifetime Achievement Award at the San Sebastian International Film Festival, Spain. In 1982, Turner released a memoir, in which she stated that she had two abortions and three stillbirths. She said she was an alcoholic and had attempted suicide.[24]
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« Reply #48 on: June 10, 2014, 09:27:19 pm »

Personal life
Lana Turner in Dr. Jekyll and Mr. Hyde (1941).

Turner was well known inside Hollywood circles for dating often, changing partners often, and for never shying away from the topic of how many lovers she had in her lifetime.

Turner habitually married, marrying eight times to seven different husbands:

    Bandleader Artie Shaw (1940). Married only four months, Turner was 19 when she and Shaw eloped on their first date. A young Judy Garland, who reported she had a crush on Artie at that time, was both shocked and heartbroken. The sudden marriage was highly publicized, and there was even talk of MGM releasing her from her contract.[25] She later referred to their stormy and verbally abusive relationship as "my college education".
    Actor and restaurateur Joseph Stephen Crane (1942–1943, 1943–1944). Turner and Crane's first marriage was annulled after she discovered that Crane's previous divorce had not yet been finalized. After a brief separation (during which Crane attempted suicide), they re-married to provide for their newborn daughter, Cheryl. However, their brief second marriage barely lasted a year primarily due to the fact that the two were simply not compatible. This has been attributed to both Lana's work schedule, Steve Crane's own ambitions to prove himself as a businessman and away from the mold as "Mr. Lana Turner", and differences in how to parent their young daughter, Cheryl.
    Millionaire socialite Henry J. Topping Jr. (1948–1952). A brother of Dan Topping, owner of the New York Yankees, and a grandson of tin-plate magnate Daniel G. Reid, "Bob" Topping proposed to Turner at the 21 Club in Los Angeles by dropping a diamond ring into her martini. Although worth millions when they married—the ceremony occurred three days after Topping was divorced from his third wife, actress Arline Judge, who had been previously married to his brother Dan—Topping suffered heavy financial losses due to poor investments and excessive gambling.[26] The couple's marriage resulted in a church trial for the officiant because the marriage took place less than a year after Topping's divorce from Judge. According to Turner's daughter Cheryl Crane in her memoir, her mother's marriage to Bob Topping was a beautiful, lavish affair held in the spacious Topping family mansion in Greenwich, Connecticut with all of the bells & whistles accompanying a traditional wedding. Despite the fact that both bride and groom had been married and divorced multiple times previously, Cheryl states in the book that Lana wore a traditional white gown, the bridesmaids wore equally beautiful gowns of Lana's choosing, and young Cheryl served as the flower girl. She goes on to state that she later saw this as her mother's attempt to finally have a beautiful, traditional wedding while she was still young after three failed marriages (to Artie Shaw and Steve Crane) in which the ceremonies took place before justices of the peace with Lana usually attired in a simple dress suit and heels.[27]
    Actor Lex Barker (1953–1957), whom she divorced. In a book written by her daughter Cheryl Crane, Crane claimed that Barker repeatedly molested and raped her, and that it was after she informed her mother of this that they divorced.
    Rancher Frederick "Fred" May (1960–1962), who was a member of the May department-store family.
    Robert P. Eaton (1965–1969);.[28] A movie producer, he went on to write The Body Brokers, a behind-the-scenes look at the Hollywood movie world, featuring a character named Marla Jordan, based on Turner.
    Nightclub hypnotist Ronald Pellar, also known as Ronald Dante or Dr. Dante (1969–1972). The couple met in 1969 in a Los Angeles discotheque and married that same year. After about six months of marriage, Pellar disappeared a few days after Turner had written a $35,000 check to him to help him in an investment; he used the money for other purposes. In addition, she later accused him of stealing $100,000 worth of jewelry. Dante denied that he stole from Turner and no charges were ever filed against Dante.[29]

She later famously said, "My goal was to have one husband and seven children, but it turned out to be the other way around."[30]
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« Reply #49 on: June 10, 2014, 09:27:35 pm »

The Stompanato killing

Turner met Johnny Stompanato during the spring of 1957, shortly after ending her marriage to Barker. At first, Turner fell for Stompanato's good looks and prowess as a lover, but after she discovered his ties to the Los Angeles underworld (in particular, his association with gangster Mickey Cohen), she tried to break off the affair out of fear of bad publicity. Stompanato was not easily deterred, however, and over the course of the following year, they carried on a relationship filled with violent arguments, physical abuse and repeated reconciliations.

In the fall of 1957, Stompanato visited Turner in England, where she was filming Another Time, Another Place (1958), co-starring Sean Connery. In her autobiography, Turner said she arranged for Stompanato's visit because she was lonely and having a difficult time filming. Their reunion was initially happy but the two soon began fighting. Stompanato became suspicious when Turner would not allow him to visit the set and, during one fight, he choked her, causing her to miss three weeks of filming. Turner later wrote that she and her makeup man, Del Armstrong, called Scotland Yard to have Stompanato deported. Stompanato got wind of the plan and showed up on the set with a gun, threatening her and her co-star Connery, whom he warned to keep away from Turner. Connery answered by grabbing the gun out of Stompanato's hand and twisting his wrist, causing him to sheeplessly run off set.[31] Turner and Armstrong later returned with two Scotland Yard detectives to the rented house she and Stompanato were staying. The detectives advised Stompanato to leave and escorted him out of the house and to the airport, where he boarded a plane back to the United States.[32][33]
Lana Turner's former home in Beverly Hills where Johnny Stompanato was killed in 1958.

On the evening of April 4, 1958, after the Oscar telecast which she had attended without him, Turner and Stompanato began arguing heatedly in Turner's house at 730 North Bedford Drive in Beverly Hills. Fearing her mother's life was in danger, Turner's fourteen-year-old daughter, Cheryl, grabbed a kitchen knife and ran to Turner's defense.[34] Many theories abound as to what accually happened, but it appears the teenager stabbed Stompanato, killing him. The murder case quickly became a media sensation. It was later deemed a justifiable homicide at a coroner's inquest, at which Turner provided dramatic testimony.[35]
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« Reply #50 on: June 10, 2014, 09:27:48 pm »

Death

A long-time heavy smoker, Turner was diagnosed with throat cancer in May 1992.[36] She stopped smoking after her diagnosis and, in February 1993, announced that she was cancer free.[37] Despite treatment, the cancer returned in July 1994.[38] Turner died at the age of 74 on June 29, 1995 of complications from throat cancer at her home in Century City, Los Angeles, California.[39] Turner's remains were cremated.[40]

Turner was survived by Cheryl Crane, her only child; and Crane's life partner Joyce "Josh" LeRoy, whom she said she accepted "as a second daughter". They inherited some of Turner's personal effects and $50,000 in Turner's will (her estate was estimated in court documents at $1.7 million [$2.4 million in 2011 USD]) with the majority of her estate left to Carmen Lopez Cruz, her maid and companion for 45 years and the caregiver for her final illness. Crane challenged the will and Lopez claimed the majority of the estate was consumed by probate costs, legal fees, and Turner's final illness.[41]

For her contribution to the motion-picture industry, Turner has a star on the Hollywood Walk of Fame at 6241 Hollywood Boulevard. On May 24, 1950, Turner left hand and footprints in front of the Grauman’s Chinese Theatre.


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« Reply #51 on: June 10, 2014, 09:28:08 pm »

In popular culture
In literature

Turner is the subject of the poem "Lana Turner has collapsed" by the poet Frank O'Hara.[42] She and Stompanato appear as minor characters in James Ellroy's novel L.A. Confidential.
In music

Turner appears mentioned on the rap section of Madonna's "Vogue" next to stars from the Golden Age era of Hollywood like Rita Hayworth and Marilyn Monroe.[43] Turner is mentioned in Nina Simone's "My Baby Just Cares for Me".[44]

American singer-songwriter Elizabeth Grant, better known as Lana Del Rey, chose Turner's name for the first part of her stage name.[45]
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« Reply #52 on: June 10, 2014, 09:28:27 pm »

Filmography
Film Year    Title    Role    Notes
1937    They Won't Forget    Mary Clay    
1937    Topper       Uncredited
1937    The Great Garrick    Mademoiselle Auber    
1938    The Adventures of Marco Polo    Nazama's Maid    
1938    Love Finds Andy Hardy    Cynthia Potter    
1938    The Chaser    Miss Rutherford    Scenes deleted
1938    Four's a Crowd    Passerby    Uncredited
1938    Rich Man, Poor Girl    Helen Thayer    
1938    Dramatic School    Mado    
1939    Calling Dr. Kildare    Rosalie Lewett    
1939    These Glamour Girls    Jane Thomas    
1939    Dancing Co-Ed    Patty Marlow    
1940    Two Girls on Broadway    Patricia 'Pat' Mahoney    
1940    We Who Are Young    Marjorie White Brooks    
1941    Ziegfeld Girl    Sheila Regan    
1941    Dr. Jekyll and Mr. Hyde    Bea Emery    
1941    Honky Tonk    Elizabeth Cotton    
1942    Johnny Eager    Lisbeth Bard    
1942    Somewhere I'll Find You    Paula Lane    
1943    The Youngest Profession    Herself (guest star)    Cameo role
1943    Slightly Dangerous    Peggy Evans/Carol Burden    
1943    Du Barry Was a Lady    Cameo role    Uncredited guest star
1944    Marriage Is a Private Affair    Theo Scofield West    
1945    Keep Your Powder Dry    Valerie 'Val' Parks    
1945    Week-End at the Waldorf    Bunny Smith    
1946    The Postman Always Rings Twice    Cora Smith    
1947    Green Dolphin Street    Marianne Patourel    
1947    Cass Timberlane    Virginia Marshland    
1948    Homecoming    Jane 'Snapshot' McCall    
1948    The Three Musketeers    Milady de Winter    
1950    A Life of Her Own    Lily Brannel James    
1951    Mr. Imperium    Fredda Barlo    
1952    The Merry Widow    Crystal Radek    
1952    The Bad and the Beautiful    Georgia Lorrison    
1953    Latin Lovers    Nora Taylor    
1954    Flame and the Flesh    Madeline    
1954    Betrayed    Carla Van Oven    
1955    The Prodigal    Samarra    
1955    The Sea Chase    Elsa Keller    
1955    The Rains of Ranchipur    Lady Edwina Esketh    
1956    Diane    Diane de Poitiers    
1957    Peyton Place    Constance MacKenzie    Nominated—Academy Award for Best Actress
1958    The Lady Takes a Flyer    Maggie Colby    
1958    Another Time, Another Place    Sara Scott    
1959    Imitation of Life    Lora Meredith    
1960    Portrait in Black    Sheila Cabot    
1961    By Love Possessed    Marjorie Penrose    
1961    Bachelor in Paradise    Rosemary Howard    
1962    Who's Got the Action?    Melanie Flood    
1965    Love Has Many Faces    Kit Jordan    
1966    Madame X    Holly Parker    Won—Golden Plate
1969    The Big Cube    Adriana Roman    
1974    Persecution    Carrie Masters    Won—Medalla Sitges en Plata de Ley
1976    Bittersweet Love    Claire    
1980    Witches' Brew    Vivian Cross    
Television Year    Title    Role    Notes
1969-1970    Harold Robbins' The Survivors    Tracy Carlyle Hastings    15 episodes
1971    The Last of the Powerseekers    Tracy Carlyle Hastings    Television film
1982-1983    Falcon Crest    Jacqueline Perrault    6 episodes
1985    The Love Boat    Elizabeth Raley    2 episodes
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« Reply #53 on: June 10, 2014, 09:28:47 pm »

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« Reply #54 on: June 10, 2014, 09:31:17 pm »

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« Reply #55 on: June 10, 2014, 09:31:30 pm »

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« Reply #56 on: June 10, 2014, 09:31:58 pm »

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« Reply #57 on: June 10, 2014, 09:32:35 pm »

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