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Probable/Possible design concepts relating to the Great Pyramid

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Author Topic: Probable/Possible design concepts relating to the Great Pyramid  (Read 131 times)
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deciusmaximus
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« on: April 14, 2012, 04:06:03 am »

Greetings to all.

working in progress....verification pending.

The primary elevation incorporating the initial trio of the two inverted pentagons in tandem with the upright
pentagon all placed in circle so to accomodate a congruence with the inclination of the  GP was developed by
messrs Robert Miller, Geoff Simmons and Latona Pistone. The elevation was supplied by Gary Osborn and remains
one of the most accurate of elevations of the GP available..with that of Rudolf Gantenbrinks.

Noting that the  base of the GP intersects with the vectors of the pentagon corners which would be the theoretical
'bars' of an inscribed pentagram. Taking this as a possible layout and design concept as inserted within the general
elevation a progression can be acheived with further intrapolations based upon the trinity of pentagons....re the animation.


charting the steps.....

1. The initial elevation with pentagon trinity.
2. Taking a line from the bottom right {pentagon} pentagram vertice..designated line A.
3. Taking a line from upper left {pentagon} corner to bottom right pentagram corner..designated line B.
4. The result of these two intersecting lines produces the Grand Gallery as the hypoteneuse of this theoretical
    right angle triangle.
5. Placing a further red element circle at tangent with the bottom left element circle gives the layup for the next step.
6. The red element circle is half squared on the exterior, which is in effect a 2:1 rectagle placed on the upper portion
    of the circle....the inscribed diagonal of this 2:1 rectangle has the effect of being flush with the upper limits of the
    Grand Gallery.
7. Placing another 2:1 rectangle on the bottom of the furthest right blue element circle...with a further inscribed
    diagonal produces the same effect for the descending passage.
8. Halving the 2:1 rectagle into the smaller square with an inscribed diagonal in the square gives the effect of the
    steep inclined passage following the scheme.

Therefore within this design concept the processes involved hace a clear geometric principle based on the proportion
found within the theoretical shapes...namely the sqaure root of 2 on the square and the square root of 5 with the diagonal
of the 2:1 rectangle.

sq=base*sqrt2=diagonal
rec=base*sqrt5=diagonal.

Based on the parameters within the Osborn elevation which differs minutely to the Gantenbrink....
the element circle parameters have a possible governing factor in relation to the length and dimension
associated with the ascending passage, so it shows that the length of the passage has the equidistance of the theoretical
diameter of the element circles.



...constituting what is essentially the first draft....

regards
Decius.
« Last Edit: April 14, 2012, 04:19:58 am by deciusmaximus » Report Spam   Logged

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deciusmaximus
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« Reply #1 on: April 14, 2012, 01:02:09 pm »

..this takes a discerning eye.

The variables are replete due to the extended design concepts focused on the grand gallery
which has elongation...in tandem with the square root5 connotation centred on the 2:1 rectangle
a cascade effect can be shown.

However this is one alternative which gives the cenrally aligned element circle following the qc passage and the
lower limits of the grand galleri inclination et al.

The pentagram is inscribed to show the effect of the gp base in relation to other vectors..


thank you
greg
« Last Edit: April 14, 2012, 01:03:47 pm by deciusmaximus » Report Spam   Logged
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