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Jim Steranko

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Author Topic: Jim Steranko  (Read 206 times)
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« on: July 27, 2007, 11:46:43 pm »

Publisher and paperback-artist

Writing, penciling, inking and coloring his own work, Steranko was unable to meet the monthly publication deadlines of the comics business of the time. He gravitated away from monthly comics toward covers and special projects. Never thinking of himself exclusively as working in comics, he branched into multiple other areas of publishing. He compiled a portfolio of acrylic paintings and met with Lancer Books art director Howard Winters, to whom he immediately sold a fantasy painting from among his samples. This led to a career illustrating dozens of paperback covers, popularly including those of Pyramid Books' reissues of the 1930s pulp novels of The Shadow.


Steranko also formed his own publishing company, Supergraphics, in 1969, and the following year worked with writer-entrepreneur Byron Preiss on an anti-drug comic book, The Block, distributed to elementary schools nationwide. In 1970 and 1972, Supergraphics published two tabloid-sized volumes entitled The Steranko History of Comics, a planned multivolume history of the American comics industry, though no further editions have appeared. Written by Steranko, with hundreds of black-and-white cover reproductions as well as a complete reprint of one story of The Spirit by Will Eisner, it included some of the first and in some cases only interviews with numerous creators from the 1930s and 1940s Golden Age of Comic Books.

Through Supergraphics he also published the magazine Comixscene (retitled Mediascene and finally Prevue), which began as a folded-tabloid periodical on stiff, non-glossy paper, reporting on the comics field. It evolved in stages into a general-interest, standard format, popular culture magazine. It ran from 1972 through 1994, and in its later years was criticized for doing double duty as a catalog for Steranko's retailing business, particularly its erotica. In 1973, Steranko became founding editor of Marvel's official fan magazine, FOOM, serving for four issues before being succeeded by Tony Isabella.[15]

Occasionally returning to narrative forms, Steranko wrote, drew, and produced the illustrated novel Chandler: Red Tide (1976), published by Byron Preiss Visual Publications/Pyramid Books as part of its "Fiction Illustrated" series.

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