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The Great Atomic Film Cover-Up

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Author Topic: The Great Atomic Film Cover-Up  (Read 96 times)
Lisa Wolfe
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« on: November 13, 2009, 01:19:14 am »

Sussan, meanwhile, struggled for years to get some of the American footage aired on national TV, taking his request as high as President Truman, Robert F. Kennedy and Edward R. Murrow, to no avail.

More recently, McGovern declared that Americans should have seen the damage wrought by the bomb. "The main reason it was classified was...because of the horror, the devastation," he said. Because the footage shot in Hiroshima and Nagasaki was hidden for so long, the atomic bombings quickly sank, unconfronted and unresolved, into the deeper recesses of American awareness, as a costly nuclear arms race, and nuclear proliferation, accelerated.

In 2005, Editor & Publisher (where I am editor) broke the news that articles written by famed Chicago Daily News war correspondent George Weller about the effects of the atomic bomb dropped on Nagasaki were finally published, in Japan, almost six decades after they had been spiked by U.S. officials. But suppressing film footage shot in Hiroshima and Nagasaki was even more significant, as this country rushed into the nuclear age with its citizens having neither a true understanding of the effects of the bomb on human beings, nor why the atomic attacks drew condemnation around the world. The common view abroad, and among many U.S. historians, is that Russia's entry into the war (long scheduled and carried out on August Cool would have forced a Japanese surrender long before any U.S. invasion took place. Gen. Dwight D. Eisenhower himself later said it was not necessary to hit Japan "with that awful thing."

The atomic cover-up also reveals what can happen in any country that carries out deadly attacks on civilians in any war (such as Japan's policy in China in World War II) and then keeps images of what occurred from its own people.

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