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DAY OF THE DEAD (The original script) by George A. Romero

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the Unholy
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« Reply #120 on: November 02, 2009, 05:25:24 am »

148   INT. THE HALLWAY OUTSIDE THE DORMITORY - NIGHT

   MARY AND HER REFUGEES are stopped in their tracks by BUB AND
   HIS CADRE OF RED COATS. THE NURSE screams and tries to back
   away. THE CHILDREN cling to her, petrified, shrieking, starting
   to cry.

   BUB lumbers up to MARY and...salutes. MARY returns the
   formality.

            MARY
      It's alright. I don't think they'll
      hurt us. Try to stay calm.

149   INT. THE OUTER CORRIDOR - NIGHT

   THE MANUAL DOOR has been locked from inside.

            RHODES
      SHOOT IT OPEN!

   THE SOLDIERS follow orders, TWO OF THEM FIRING AT THE LOCK.

150   INT. THE FIRING RANGE - NIGHT

   MARY is at A CABINET pulling out PISTOLS AND RIFLES, passing
   the weapons around to TONTO, BLUTO, SAMSON. BUB is strapping
   on his TWO-GUN HOLSTER SET all by himself, fumbling a little,
   but succeeding.

151   INT. THE CORRIDOR WITH RHODES - NIGHT

   RHODES' MEN kick open the door and charge into the Dormitory
   corridor.

152   INT. THE FIRING RANGE - NIGHT

   THE NURSE slams ANOTHER MANUAL DOOR, locking and bolting it.

            NURSE
      They're coming! They're coming!

   She hurries along the caged alley behind the firing stalls
   guiding THE CHILDREN to an opposite exit.

   BLAM! BLAM! MARY IS FIRING at AN ORANGE CIRCLE VEST on one of
   the cut out target figures in the range. THE RED COATS are
   watching with curiosity, cocking their heads.

152   CONTINUED:

   MARY moves to fire again but BLUTO grabs her hand.

            MARY
      NO...BLUTO...I'M TRYING TO...

   The dumb creature keeps his grip. MARY has to appease to him.
   She grasps his hand and shakes vigorously. When he finally lets
   go, she aims her PISTOL again and FIRES AT THE VEST SEVERAL
   MORE TIMES.

            MARY
      Look. It's good to shoot the circles.
      Good. Good.
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