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News: Plato's Atlantis: Fact, Fiction or Prophecy?
Article Source: http://EzineArticles.com/?expert=CarolAnn_Bailey-Lloyd
http://www.underwaterarchaeology.com/atlantis-2.htm
 
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Fictitious and Symbolic Creatures in Art

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Author Topic: Fictitious and Symbolic Creatures in Art  (Read 1734 times)
Demon Queen
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« Reply #30 on: June 23, 2009, 01:09:06 pm »

expedients to invest their angels’ wings with unearthly characteristics. Colour was a fertile field for their ingenuity, and they lavished all their brilliant hues in accentuating or separating the several orders of feathers comprising the wings; now rivalling the rainbow, now applying the startling contrasts of the most gorgeous tropical butterfly; at other times sprinkling or tipping the richly painted feathers with burnished gold, or making them appear alive with brilliant eyes.

Vesture.—In Early Christian Art the white vesture spoken of by St. Matthew and St. John, almost invariably adopted, consisted of garments resembling the classic tunica and pallium, sometimes bound with the "golden girdle" of Revelation. During the mediæval period they were clad in every brilliant colour. Angels do not often appear in the works of art executed during the first six centuries of the Church; and previous to the fifth century they were invariably represented without the nimbus—that attribute of divinity with which they were almost always invested throughout the whole range of Middle Age art.

Nimbus.—The nimbi given to all the orders of the angelic hierarchy are circular in form, with their fields either plain or covered with numerous radiating lines or rays, sometimes with broad borders of ornament, but never with the tri-radiate form, which was specially reserved for the persons of the trinity.

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