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Fictitious and Symbolic Creatures in Art

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Author Topic: Fictitious and Symbolic Creatures in Art  (Read 2363 times)
Demon Queen
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Posts: 2122

« on: June 18, 2009, 01:18:19 pm »

 &c. &c. The ships of the early navigators, with masts and sails and other requisites for directing their motion or influencing their speed, would be objects of astonishment to the inhabitants of the countries they visited, causing them to be received with the utmost respect and veneration. The ship was taken for a living animal, and hence originated, some say, the fables of winged dragons, griffons, flying citadels, and men transformed into birds and fishes. The winged Pegasus was nothing but a ship with sails and hence was said to be the offspring of Neptune.

"In reality," says Southey, in his preface to the "Morte d’Arthur," vol. ii. 1817, "mythological and romantic tales are current among all savages of whom we have any full account; for man has his intellectual as well as his bodily appetite, and these things are the food of his imagination and faith. They are found wherever there is language and discourse of reason; in other words, wherever there is man. And in similar states of society the fictions of different people will bear a corresponding resemblance, notwithstanding the differences of time and scene." And Sir Walter Scott, in his "Essay on Romance and Chivalry," following up the same idea, adds, "that the usual appearances and productions of nature offer to the fancy, in every part of the world, the same means of diversifying fictitious narrative by the introduction of prodigies. If in any romance we encounter the description of an elephant, we may reasonably conclude that a phenomenon unknown in Europe must

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