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The Gnostics and Their Remains

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Demiurge
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δημιουργός (dēmiourgós, latinized demiurgus δήμιος


« Reply #165 on: March 13, 2009, 03:11:17 pm »

"Kali-Bhavani," the Destructive Female Principle is represented * in this character with a visage exactly identical with the most ancient type of the Grecian Gorgon--such as we still behold it guarding the Etruscan sepulchres, and lowering horrifically upon the sacrilegious intruder; as in that notable example in the tomb of the Volumni at Perugia, where it forms the centrepiece of the ceiling of the grand hall. Formed of a Tiger's head in its first conception by the excited fancy of Hindoo superstition, the Etruscan demon still exhibits the same protruded tongue, huge tusks, glaring eyes, wings in the hair, and serpents twining about the throat. Of such aspect was doubtless that "Gorgon's Head, the work of the Cyclops," which was shown to Pausanias as the most notable object in the Argive Acropolis--a proof that the earliest essays of Pelasgic art had been made in realising this idea. Again, in that most ancient monument of Grecian art, the Coffer of Cypselus (made before B.C. 600), the same traveller states (v. 19.), "Behind Polynices stands a female figure, having tusks as savage as those of a wild beast, and the nails of her fingers like unto talons: the inscription above her, they tell you means Κῆρ (Fate)." This name therefore must have been a foreign word, translated to Pausanias by the Custodian of the Temple. Plutarch (Life of Aratus) supplies another singular illustration of the Worship of these terrific idols of the olden time in the most polished ages of Greece. The Artemis of Pellene was of so dreadful an aspect that none dared to look upon her: and when carried in procession, her sight blasted the very tree and crops as she passed. When the Ætolians were actually in possession of and plundering the town, her priestess, by bringing this image out from the shrine, struck them with such terror that they made a precipitate retreat. This Artemis consequently must have been a veritable Hecate, a true Queen of Hell, an idol moreover of wood, ξόανον (like her of Ephesus), otherwise the priestess had not been able to wield it so effectually to scare away the marauders. Again, the recorded dream of Cimon, which presaged his death, was that a black **** bayed


p. 168

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"And he is impious in his arrogance which is in him. For he said, 'I am God and there is no other God beside me,' for he is ignorant of his strength, the place from which he had come."- Yaltabaoth
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