MYTHS OF CRETE & PRE-HELLENIC EUROPE
Skinwalker:
MYTHS OF CRETE & PRE-HELLENIC EUROPE
By DONALD A. MACKENZIE
[1917]
Skinwalker:
When I first saw learned of the existence of this book, I was a little suprised, since very little concrete information is available on this topic, and even less was known in 1917. However, to paraphrase a recent President of the United States, Myths of Crete depends on what your definition of of is....
There is substantial mythology about Crete. The Minoan civilization, which predated the better known classical Hellenic period by several hundred years, disappeared catastrophically, battered by volcanic eruptions and barbarian incursions. Successive generations, starting with the classical Greeks, created a vast number of myths about the vanished sea-empire. The Homeric epics, Daedalus and Icarus, King Minos and the Minotaur, and even, as Mackenzie points out, Atlantis, were all influenced by hearsay and speculation about the lost Cretan empire.
At the beginning of the 20th century archeologists finally started to excavate the Minoan ruins. Based lagely on circumstantial evidence such as the vivid wall art and the startling Goddess iconography, popularizers like Mackenzie built an entire new set of myths about the ancient Cretans. This mythology was eagerly adopted by neo-pagans, starting with Robert Graves, who wrote a little-known science fiction novel on the subject, Watch the Northwind Rise.
What do we actually know about Minoan mythology as of today? In a word, nothing. The Minoans developed the first known European writing systems, known as Linear A and B. Linear B was deciphered by Michael Ventris in 1952. Only commercial documents have been found, as befits a sea-trading empire. The other Minoan script, Linear A, remains a mystery. Although the phonetic values of some Linear A symbols have been tenatively identified, they have yet to be translated. So we have no translated Minoan religious documents to work with, although we can infer that certain Linear A texts are magical or religious in nature because they are inscribed on ritual objects.
We can assume from the prevelence of female images in ritual contexts that the Minoans worshipped one or more Goddesses. We also know that animals played an important role in their rituals, particularly snakes and bulls. However, any attempt at this point to make definite statements about their mythology or spiritual practices is inferential at best.
One factual correction must be noted. The story of Schliemann's Atlantis bequest, reported in Chapter V, page 98, turned out to be a complete hoax. This yarn appeared in a sensationalist Hearst newspaper in 1914, and as this book was written only a few years later, we can probably forgive Mackenzie for reporting it as fact. The entire article, How I found the Lost Atlantis, along with our analysis of it, is also at sacred-texts.
Nevertheless, Mackenzie, who also wrote Myths and Legends of Ancient Egypt, manages to stretch the subject matter out into a full 300 page book. Informative, well researched and very readable, Myths of Crete is a unique book about a very opaque period of history.
--J.B. Hare
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Skinwalker:
MYTHS OF CRETE & PRE-HELLENIC EUROPE
By DONALD A. MACKENZIE
With Illustrations in Colour by John Duncan, A.R.S.A. and from Photographs
THE GRESHAM PUBLISHING COMPANY LIMITED
66 CHANDOS STREET COVENT GARDEN LONDON
[1917]
Scanned at sacred-texts.com, May-June 2002.
Ladies of the Minoan Court
From the painting by John Duncan, A.R.S.A.
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Skinwalker:
p. iii
PREFACE
This volume deals with the myths and legends connected with the ancient civilization of Crete, and also with the rise and growth of the civilization itself, while consideration is given to various fascinating and important problems that arise in the course of investigating pre-Hellenic habits of thought and habits of life, which are found to have exercised a marked influence in the early history of Europe. In the first two chapters the story of European civilization is carried back to remote Palæolithic times, the view having been urged, notably by Mosso, that a connection existed between the civilization of the artistic cave-dwellers in France and Spain, and that of the Island of Minos. It is shown that these civilizations were not, however, contemporary, but separated by thousands of years, and that in accounting for close resemblances the modern dogma of independent evolution is put to a severe test. The data summarized in the Introduction emphasize the need for caution in attempting to solve a complex problem by the application of a hypothesis which may account for some resemblances but fails to explain away the marked differences that existed even between contemporary civilizations of the Neolithic, Copper, and Bronze Ages.
p. iv
Skinwalker:
To enable the reader to become familiar with the geological, ethnological, and archæological evidence regarding the earliest traces and progressive activities of man in Europe, who laid the foundations of subsequent civilizations, a popular narrative is given in the first chapter, the scientific data being cast in the form of a legend following the manner of Hesiod's account of the Mythical Ages of the World in the Work and Days, and of that of the Indian sage Markandeya's story of the "Yugas" in the Máhabhárata, and of Tuan MacCarell's narrative of his experiences in the various Irish Ages. Footnotes provide the necessary references.
Consideration is also given, in dealing with Cretan origins, to Schliemann's hypothesis regarding the "Lost Atlantis", and the connection he believed existed between the Mexican, early European, and Nilotic civilizations. It is brought out that the historical elements in Plato's legend are susceptible of a different explanation.
Cretan civilization has not yet been rendered articulate, for its script remains a mystery, but of late years a flood of light has been thrown upon it by the archæologists, among whom Sir Arthur Evans is pre-eminent. We can examine the remains of the palace of Minos; tread the footworn stones of the streets of little towns; examine pottery and frame a history of it; gaze on frescoes depicting scenes of everyday life in ancient Crete, on seal engravings which show us what manner of ships were built and navigated by mariners who ruled the Mediterranean Sea long before the Phœnician period, what deities were worshipped and what ceremonies were performed; we can study a painted sarcophagus which throws light on funerary customs and conceptions of the Otherworld,
p. v
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