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How A Red Lady Becomes Black And White

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Bianca
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« on: September 29, 2008, 12:45:06 pm »










                                           How A Red Lady Becomes Black And White






ScienceDaily
(July 8, 2005)

A small quantity of chloride in the red paint in the painting 'Portrait of a Young Lady' by Peter Paul Rubens in the Mauritshuis Museum in The Hague is causing the red parts of the painting to slowly turn black and white under the influence of light. Dutch researcher Katrien Keune has determined the cause and course of the discolouration.

At the FOM institute for Atomic and Molecular Physics Keune investigated the pigment vermilion from a painting by Rubens. Originally this mercury sulphide containing pigment was just as red as the upper stripe of the Dutch flag. However, in the painting 'Portrait of a Young Lady' by Peter Paul Rubens this clear red colour has discoloured under the influence of light and exhibits black and white spots.

The researcher discovered that current hypotheses about the progress of the discoloration were not true. In the painting that the chemist investigated, two-thirds of the thickness of the paint layer was discoloured. Some vermilion particles were only partially affected: the upper surface was black whereas the lower surface was still red. This revealed that the particles first of all discolour into black and only then into white: a two-step degradation process. This goes against the prevailing view that the black and white colours develop at the same time.

Also the idea about exactly which reaction takes place was found not to be true. With a spatially- resolved mass spectrometer the researcher discovered that the intact vermilion contained traces of chloride, whereas the damaged vermilion contained higher quantities of chloride and mercury chloride complexes. From this Keune concluded that the traces of chloride in the red vermilion act as a catalyst in the reaction between vermilion and light. This results in nanoscopic particles of metallic mercury that completely absorbs the light and is visible on the painting as black spots. With this the long-held view that the black product was a black form of mercury sulphide was rejected. This metallic mercury subsequently reacts with the excess chloride to form a white mercury chloride compound. The degradation process is unfortunately irreversible.
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Bianca
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« Reply #1 on: September 29, 2008, 12:46:30 pm »




                 







Light microscope image under normal (left) and ultraviolet (middle) light and an electron microscope image (right) of a partially degraded vermilion particle.

The colour transition from red to black and the white product around the blackened particle indicate that these products are not formed at the same time.

The photo on the right shows how the red intact vermilion particle and the black reaction product differ in structure.



(Image courtesy of Netherlands Organization for Scientific Research)
« Last Edit: September 29, 2008, 12:48:21 pm by Bianca » Report Spam   Logged

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Bianca
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« Reply #2 on: September 29, 2008, 12:49:53 pm »









Battling against the aging process



Keune's research was part of the De Mayerne research programme. This programme was set up to obtain scientific insights into the molecular changes in old works of art due to the ageing process, painting techniques and the effects of restorations carried out in the past.

Katrien Keune's research was funded by the Foundation for Fundamental Research on Matter (FOM).


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Adapted from materials provided by Netherlands Organization for Scientific Research.
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http://www.sciencedaily.com /releases/2005/07/050708060730.htm
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