Message #96544

[Bianca]

In Egypt, millennia before the advent of powerful dynasties and wealth-laden tombs, early settlements are known from modest scatters of stone tools and animal bones at such sites as Wadi Kubbaniya.

In western Asia after 8,000 B.C., the earliest known writing, monumental art, cities, and complex social systems emerged. Prior to these far-reaching developments of civilization, this area was inhabited by early hunters and farmers. Eynan/Ain Mallaha, a settlement in the Levant along the Mediterranean, was occupied around 10,000–8000 B.C. by a culture named Natufian. This group of settled hunters and gatherers created a rich artistic record of sculpture made from stone and bodily adornment made from shell and bone.

The earliest art of the continent of South Asia is less well documented than that of Europe and western Asia, and some of the extant examples come from painted and engraved cave sites such as Pachmari Hills in India. The caves depict the region's fauna and hunting practices of the Mesolithic period.

In Central and East Asia, a territory almost twice the size of North America, there are outstanding examples of early artistic achievements, such as the expertly and delicately carved female figurine sculpture from Mal'ta.

The superbly preserved bone flutes from the site of Jiahu in China, while dated to slightly later than 8000 B.C., are still playable.

The tradition of music making may be among the earliest forms of human artistic endeavor. Because many musical instruments were crafted from easily degradable materials like leather, wood, and sinew, they are often lost to archaeologists, but flutes made of bone dating to the Paleolithic period in Europe (ca. 35,000–10,000 B.C.) are richly documented.

North and South America are the most recent continents to be explored and occupied by humans, who likely arrived from Asia. Blackwater Draw in North America and Fell's Cave in Patagonia, the southernmost area of South America, are two contemporaneous sites where elegant stone tools that helped sustain the hunters who occupied these regions have been found.

Whether the prehistoric artworks illustrated here constitute demonstrations of a unified artistic idiom shared by humankind or, alternatively, are unique to the environments, cultures, and individuals who created them, is a question open for consideration.

Nonetheless, each work or site superbly characterizes some of the earliest examples of humans' creative and artistic capacity.



Laura A. Tedesco

Independent Scholar